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(Harper’s fans just stuck with Harper’s.) What’s more, if the animating metaphor at Feed was the “feed” - the raw material - the metaphor driving Salon was the colloquium.
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This was a good move: self-identified liberals form an affinity group that easily migrated to the Web. Salon, which also started in 1995, foregrounded its politics (“liberal”) rather than its formal similarities to existing magazines. Like a Congo encampment with damask and silverware, Feed served as an outpost where people could get their cultural bearings.īut e-zine readers wanted novelty as much as bearings. Modeling itself on publications like Harper’s, Feed supplied cultural criticism by established or up-and-coming writers. Blog blog blog.)Īt the same time, Feed suspected that newcomers online would seek mementos of analog existence.
WORD OF FAITH MAGAZINE ONLINE HOW TO
Feed was a cult hit, but the “objects” idea never took off, Johnson told me recently, because writers of the mid-’90s couldn’t figure out how to break up their articles that way. The tech-savvy could even customize a path through the articles by means of “objects” - 500-word chunks of text that could be read in any order. As technophiles, they aimed to dose readers with links and multimedia. So what do readers want from magazines online? Fifteen years ago, Steven Johnson and Stefanie Syman, writers in New York, started Feed, one of the Web’s first magazines. But online we build lean-tos from whatever is around, often relying on the artless scaffolding supplied by search engines and browsers.
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Magazine décor used to make readers feel protected, at ease and thus receptive to advertising - in their well-appointed New Yorker place, say, or their coffeehouse Nation place. Nor do you anticipate a first-person essay or a crossword puzzle.Īnd while magazine editors still attend to “the mix” - the sequencing of articles, the balance of text and images - online readers consider all that obsolete hocus-pocus. If you’re reading these words online, why should you know, or care, that they are meant to follow an illustrated cover, a table of contents and some feuilleton pieces? You don’t expect it to precede a “well” of reported stories. But the effort that goes into making a print magazine - lighting photo shoots, designing layouts, affixing page numbers - produces little value for those who find its elements deracinated on the Web. Magazine-making is a 20th-century commercial art, with time-honored conventions, protocols and economics. Like hardcover books in Kindle editions and “Daily Show” clips on the Web, this column is produced in large part for a medium other than the one in which it is consumed. You’re reading on a computer or a hand-held device, even though this column was intended for a magazine - a Sunday newspaper supplement that started in 1896. But it’s very possible that you’re nowhere near a turnable page now. His mission as founder of Our Sunday Visitor was to show Catholics that the best way to renew families, communities, the nation, and the world, was to live the Catholic Faith.If you’re holding one, you can turn the page. He listened to the needs of those in the Church and developed solutions for those needs. The first edition of Our Sunday Visitor, a national weekly Catholic newspaper, came out on May 5, 1912, and began to form and inform millions of Catholics about the truth and beauty of the Catholic faith.Īs Father Noll’s influence grew, he added many products and services to help parishes and dioceses in their missions, and the impact is felt even today. A first step in defending the Faith was the purchase of a printing press in the small town of Huntington, Indiana. The young, daring, and resourceful parish priest knew he needed to defend his beloved church. Anti-Catholic sentiment was rampant in the United States at that time, and many groups were working to spread misinformation about the Church, creating an atmosphere of mistrust and even fear. John Francis Noll saw his beloved Catholic church under siege.